Skip to main content

Grow a heart

For the last few years, the only question that has visited me day and night with an intensity no candela can measure is how to be a writer.

The answer eludes me even now. I know it is not in the books. I know it is not in the writing programs; neither in workshops, discussions, interviews, or biographies.

You see, it is a personal thing. When you decide to be a writer, it is not a choice at all. As they say, choice is a luxury. We don’t have that luxury when it comes to two things – writing and love. They both are absolute.

Do not mistake this for the love for writing, though. The love for writing is another luxury. I don’t think I, or anyone who has to be a writer, can own this, either. Writing cannot be an emotion for someone who seeks to be a writer. It has to be their whole existence.

And how?

A writer is that crack in the old floorboard. For someone else it is just a slight wreck, but to him it is an abyss and the abyss is him. It hides a story, a fragment of time when things were in their infancy. It wasn’t this shallow then. It wasn’t so dark then. And it certainly didn’t creak.

A writer is that stubborn tree, which is yet to give up on its roots. He is the yellowing leaf looking out to embrace the ageing of its fate. He is the wandering clouds abounding with the weight of hope, struggling to reach the right place before it detonates.

A writer is the hunger pangs arising in the stomach of the famished. He is the shriveled skin burnt under too much sunshine. He is the teardrops about to be lost without being seen. He is the muffled voices that died before the light broke in.

He is those small, heavy steps of an old woman who everyday carries a tokra full of vegetables on her head to sell it in the local market so that she can survive in a world that has outdated her.

And hope? Promises? Laughter? Happiness?

What about things he cannot accommodate himself to? What about sorrows that overwhelm his wits and melancholy that erodes his mind?

Does the writer have anything to do with all these?

Perhaps not.

Because when a writer sees these, he becomes a poet.

He grows a heart, builds a song.

Comments

Popular posts from this blog

Keep Gratitude

We often wonder how life and its things begin, how love is found, how joys are treasured. On this lookout we often forget how it all will end. How life would cease to be. That last day is the hardest thought to cope with, to let go of all that these moments hold for us. Even our incomplete fate, even our unfulfilled wishes. Even this imperfect story is too dear to let go. And in this retrospect our gratitude magnifies. This is where true happiness lies. This where the mind meets clarity, and the voice learns modesty.

Be it

It flip-opens in you. It bursts out. Gashes deep. Makes you bleed. You’d writhe or feel  stifled. You’d flinch or struggle. But you wouldn't complain. For if you do, you don’t have it in you. Long coffee sessions, caffeine rush. Fistful of rum. Or chalice-deep wine. Singular walks. Drifting monsoon. Dwindling hills. Gushing rivers. Smoke, fire, or snow. Forests or deserts. Longhand. Sharp wit. Vague humor. Extended talk. One humongous sigh. That eccentric silence. The abyss inside a thought. These are indispensable. A slight remark would set you off. A tiny inkling would fuse into spark. A background sound would tick your edge. It would demand or vanish. It would sink or float. You might have to chase it. You might have to erase it. You might have to do it over and over as long as you breathe. Cut it. Be it. The writer.

I will remember

This day metro isn’t so crowded and I get a seat toward the end of the coach. Two stoppages later a family boards the train. They have a couple of luggage bags. I vacate the seat for them. The woman reluctantly contemplates taking the seat as I insist. Men around focus on the opportunity if she refuses. She sits. The three children, who all seem 3-6 years old, slowly sit over the berth constructed of the bags. All these three sit with their backs to each other, all facing opposite directions. The man stands near the steel bar about a foot from the children, observing them. I take another look at the family - the man’s shirt is torn from places. Sensing my own unease, I hastily look at his feet. The shoes are okay, not worn out. I strangely feel as if this discovery is a consolation to my own blessings. I shift my sight. The kids are well-dressed in the clothes the parents could afford them, the woman seems to be wearing a new saree . I feel relieved that I have overcome the bout of s...